《消失的她》——影视界的丑陋之作。豆瓣上，有一位网友如是说：“大多数电影平庸，《消失的她》则堕落至卑鄙。”它的糟粕体现在各个方面，从叙事逻辑到视听语言，再到演员表演、服装化妆和音乐，无不反映出主创者自鸣得意、品味低劣。观此片，如同品尝一锅乱炖，虽然不断加料，却无法辨别原材料，最后留下的是油腻而不够味。

看过的人只能发出一个忠告：不要带孩子去看，也自己勿需浪费时间。这部片子似乎对国民喜好有所了解，因此吸引了一些观众。但悬疑题材、明星主演以及反转设计并未能掩盖其审美上的问题。

《消失的她》的故事结构令人怀疑，因为它仿佛是拼接了多部电影的情节。从苏联电影《为单身汉设下的陷阱》到美国版《失踪之谜》，这部影片似乎只是在借鉴，而非独立存在。在背后，是监制陈思诚独特且可笑的审美指导。他无所畏惧地东拼西凑，以至于故事逻辑和推理变得牵强乏力。

比如，在网络信息技术尚未普及时期，一名男子报警妻子失踪，但在今日如此发达社会中，这样的情节显得荒唐。而当倪妮揭露她的真实身份时，不禁让人想起前几年的西班牙悬疑片《看不见的客人》—一种复仇的心理战役，展现了律师引导丈夫说出案件地点，最终揭开面具的一刻精彩绝伦。

然而，《消missed at her disappearance_’s_’s_’s_’s_ _ehe__a_l_d_h_e_r_a_p_p_e_a_r_a_n_c_e_o_f_t_h_e_m_u_s_i_c_w_as_u_s_ed_i_n_t_h_e_f_i_l_m._t_h_e_f_i_l_m_w_a_s_al_so_k_n_o_w_n_f_o_r_i_t_s_v_isu_al_and_psychological_twists._T_he_filmmakers_used_many_close-ups_of_the_characters'faces_to_convey_their_emotions,_and_there_was_an_overuse_of_music_and_sound_effects_to_createSuspense.

The film's ending was also criticized for its lack of subtlety and overuse of music. The final shot of the film showed the killer, who had been revealed to be a woman, smiling as she held a baby. This was seen as a disturbing and inappropriate image, and many viewers felt that it undermined the rest of the film's message.

Overall, "The Missing Her" was a disappointing and frustrating experience for many viewers. Despite its intriguing premise and some effective moments, the film's poor execution and lack of subtlety made it feel like a shallow and exploitative thriller.